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I have never been overly-superstitious and take great pride in my healthy cynicism.   I don’t throw salt over my shoulder or avoid black cats.  As a muralist, I walk under ladders frequently and don’t believe I have ever fallen victim to the evil eye.  Thinking or saying something out loud does not make it come true.  If it did, I’d be a size 6, rich and living in a palazzo in Orvieto.  But I digress.

My grandmother was normally a very serious and solemn woman.  One day a year she would transform into a madwoman, wielding a broom and running in circles shouting and screaming like a banshee in an effort to ward off the evil spirits who had apparently taken up residence in our cellar.  It was spring cleaning run amok.  I don’t know much about the tradition that had this small, fragile and shy lady fearlessly take on a bunch of ghosts in the basement of our house.  I wonder if it was folklore passed down from her childhood in Contessa Entellina, a small Sicilian town 80km from Palermo.  I did a little research and found quite a few references to sweeping away evil spirits with a broom — a common practice especially among southern Italians, but was unable to find any mention of the “screaming and running around” part.  Perhaps that was my grandmother’s own personal stamp on the custom.

Superstitious Minds

A superstition is a belief in something that has no rational foundation in science and is most often based on the prevailing religion or culture that contains these otherworldly beliefs.  The word comes from the classical Latin superstitio, meaning “a standing over [in amazement]”.  Greek and Roman pagans were believed to have scorned men who displayed a fear of the gods and thus, the behavior came to be referred to as superstition. This could explain why Greeks and Italians are famously known for their mythology and have a common legend in the “evil eye” – Malocchio in Italian, Mati in Greek.

Hope-On-A-Rope

When I wrote earlier that I am not particularly superstitious, I wasn’t being completely honest with you.  The fact is that in the last few years I have come to believe a certain necklace I own has developed supernatural powers that, if worn daily, will someday bring me good luck.

It started out as a simple chain with a silver bar hanging from it.  One afternoon while in St. Peter’s Square I looked down to see something glittering in the sun.  I removed it from between the cobblestones to discover it was a tiny medallion of the Madonna.  Convinced this was an omen, I instinctively hung it onto my necklace.  A birthday present of a charm with the word “Friend” engraved on it followed — then a Chinese coin and a 4-leaf clover.  On one arrival in Rome I wrote the message to my friend Angelo, “Io sono in Italia…mi sento come una farfalla” (I am in Italy…I feel like a butterfly).  When he presented me with the gift of a tiny crystal butterfly dangling from a pink heart of course I had to add it to my collection.  This “chain of fortune” is getting rather heavy!

Out of the 365 days in a year, I probably wear the necklace 360 of them.  The other 5 days I just don’t feel quite right without it.  Could I have inherited from Grandma this propensity to make weak associations of cause and effect where there are none?  What can I say? I don’t like tempting fate.  Writer Judith Viorst said it very well: “Superstition is foolish, childish, primitive and irrational — but how much does it cost you to knock on wood?”
by Toni DeBella

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A picture is a poem without words.” -Horace

A revolution has been brewing for almost a decade on the Piazza Navona, one of the most famous and historic squares in Europe. Millions arrive to see Bernini’s magnificent Fontana dei Quattro Fiumi (The Fountain of 4 Rivers) and to stroll along the road, hoping to acquire an original picture of a Roman scene painted and signed by the artist in front of them. Now the tensions are high: real artist are pitted against counterfeit ones.

Art is not a thing, it is a way.”- Elbert Hubbard

I can’t intelligently speak to the political or economic ramifications of the most recent decree approved by the City of Rome to regulate painters and street artists on the piazza.  What I can say with certainty is that I believe society is obligated to defend those among us who have the ability to suspend reality and, with a brush in hand, transfer it onto a canvas to make a thing more beautiful – to make l’arte. George Bernard Shaw said it best when he wrote,“Without art, the crudeness of reality would make the world unbearable.”

Performance Artist

In 2005, the Mayor and Council approved a ban prohibiting any type of commercial activity in the center of Piazza Navona. It was declared that permits would no longer be issued to paint in the city. Then came a resolution to govern the artistic profession, but nothing came of it. Nearly 6 years later the absence of rules means anyone (real artists and fakers) can enter and do what they want. The result has been a dilution of creativity and a strengthening of chaos and clutter. The legitimate are at a disadvantage to the counterfeiters who defraud tourists by peddling reproductions passed-off as originals. But why should the artists, some of whom have been on the Piazza since the 1960s, pay the price for the City’s failure to control those who bring urban decay to this beautiful place? Why should the people who have promoted all that is good about the Eternal City and have contributed to its charm and mystique now be threatened with displacement? Leonardo is turning in his grave!

No heirloom of humankind captures the past as do art and language.” – Theodore Bikel

What is at stake on the Piazza Navona is the keepsake of a city. Art has defined Italy since the renaissance and just like the oxygen in our atmosphere, civilization and Rome need it to survive.

Photographs by Toni DeBella and Massimilliano Balletti

Paintings by Massimilliano Balletti

by Toni DeBella

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The opinions expressed herein are those of the author (me) and may not reflect the opinions of the reader (you). There is absolutely no assurance that any statement contained in this article is true, correct or reliable. The opinions are based solely on observation and personal experience.  The foregoing is presented from the point of view of the author (me).  …”usate il sale in zucca” (an idiom loosely translated means “take it with a grain of salt”).***

The Grass is Always Greener

2012-04-25 13.54.32I want to begin by saying that I’ve done it, you’ve done it, we’ve all done it at one time or another. We really must stop doing it: expatriates sitting around moaning and groaning about how things function (or don’t function) in Italy.  First of all, can you imagine how we must sound to Italians within ear-shot of our tasteless and unflattering belly-aching? Openly criticizing the country and people who have welcomed us into their “home” is not only impolite, it’s incredibly tacky. We made a choice to leave our native land and relocate to another, did our research and knew what to expect when we took the leap.

An analogy to illustrate my point: George Clooney has infamously left a long line of beautiful starlets in his wake. Elisabetta Canalis is out and now you are George’s new girlfriend. He is so charming, handsome, rich and powerful. You attend red carpet events on his arm in Versace, appear on the cover of People magazine and spend long weekends on Lake Como with “Brangelina”. Of course he eventually dumps you and deep-down inside you’re not surprised – this is who he is and what he does. Expats in Italy…we knew what we were getting into – Italia is who she is and what she does – let’s lighten up and stop complaining already!

We Aren’t in Kansas Anymore

It’s an exercise in futility to compare our homeland to Italy.  Italy is different – isn’t that one of the reasons we decided to pack up and move in the first place? Heinz ketchup, Mexican food, peanut butter – the list of things from home that you can’t get in Italy is as long as my arm (and vice versa, I might add).  I’m guilty, I admit it.  I’ve been a “mule” for friends – bringing  back suitcases full of taco seasoning, ranch dressing, vanilla extract and ibuprofen. Comforts from home are really lovely to have, nevertheless we should try to be more adaptable and use the products available …conform, fit in, go native!

Talking Points

This one is so obvious, I shouldn’t have to say it: speak Italian. When we live abroad of course we gravitate towards a crowd with a common culture and background. I try not to use my English-speaking friends as a crutch to avoid Italian proficiency because I know that I can never, ever form lasting and deep relationships with Italians if I don’t speak their language.  Unfortunately there is only one way to accomplish this…open our mouths and talk.  My Italian is substandard to say the least and I make errors constantly.  I once told a man that my grandfather was born in “coglione” (which means “testicles”).  We both laughed until we cried.  May I recommend the “Italian by Osmosis” system?  Watch weird Italian television, read the local newspaper, listen to pop music on the car radio, try telling a joke in Italian and above all, be willing to feel awkward and sound stupid.  Italians are very gracious and will appreciate the effort.

Home is Where the Heart Is

Photo by W. Klein

It seems to me that life is full of wonderful opportunities to evolve and expand our horizons.  Living abroad is something that takes a certain kind of daring individual with lots of resilience and an open heart.  Make fun of yourself and the absurdity of it all.  Relax, enjoy, grin and bear it and REJOICE…you live in Italy for God’s sake!

***No actual expatriates were harmed in the writing of this article.



by Toni DeBella

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Twenty years from now you will be more disappointed by the things you didn’t do than by the ones you did do. So throw off the bowlines, sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover.” – Mark Twain

In a perfect world there would be no boundaries and we would all be citizens of the world, free to roam from place to place at our heart’s desire. Until that day comes, you’re going to need a government-issued passport.

Passport 101

King Henry V of England, most noted for his great military mind is also credited with inventing what is considered the modern version of the passport. Earlier references to the passport have also been found in the Hebrew Bible. In medieval Europe a document was required in order to pass through the gates of a city wall or traverse a territory.

American in Paris?

The latest statistic regarding the percentage of Americans (less than 30%) who own passports is a little sobering and quite frankly, a bit suspect. I disagree with the popular assumption that Americans are fundamentally unadventurous, isolation-loving people without a global perspective. I assert that the low number of passports issued is misleading and actually a reflection of many mitigating factors including: 1) The geographical make-up of the United States. It is a vast, diverse land filled with amazing places (national parks, big cities, beautiful beaches, majestic mountains, etc.,) that keep Americans sightseeing within its borders; 2) The U.S. neighbors only two other nations, unlike Europe which has nearly a total of 50 border-crossings on its continent. For example, an Austrian boards a one-hour flight or sets out on an eight-hour car trip and reaches a myriad of foreign countries. A one-hour flight from San Francisco takes me as far as Los Angeles, Las Vegas, Portland, and somewhere in the middle of the Pacific Ocean; 3) If you are a member of the working middle-class it is likely you have only two-weeks vacation a year and on top of that; 4) foreign excursions can be quite expensive.

But for those who choose to hold a passport, they hold unlimited possibilities in their hands. This tiny book has power. With it you have permission to pick-up and jet-off to strange and exotic locations at a moments notice. My son has let his passport expire and I am continually nagging him to get it renewed. “You never know when you might need to fly to Paris for lunch”, I say. He rolls his eyes. He’s right, this situation doesn’t come up too often – but it never hurts to be ready just in case. As for me, I caught the “travel bug” later in life and I caught it with a vengeance. Just recently I renewed my passport and sweated those few weeks without it. It was a relief to find it in the post safe and sound. I look forward to the next 10 years of gallivanting.

My recent passport is only the third in my lifetime. Growing up in our family meant we never ventured farther than our Ford Country Squire station wagon could take us. In college, I went to Mexico quite a few times, but back in “the day” you weren’t required to carry documents to go south or north of the border. In 1982 I took my first international flight to Sydney, Australia for a friend’s wedding and joined the prestigious group “world traveller”. Since that time I’ve been to only a handful of different countries: Mexico (twice), Costa Rica, The Bahamas, England (twice), Germany (twice) and of course, Italy (dozens of times). In two months time I will be adding France to that list. My Passport Personality: Late Bloomer.

On this ever-changing, fluid planet it is nearly impossible to maintain an accurate list of countries in the world. The Travelers’ Century Club has compiled a “Master List” of countries, territories, autonomous regions, island groups, states and provinces that theoretically make up the world. Currently there are 872 places pinpointed. No one person has visited them all, but a few have come close. My friend Marisa is in her 30s and has one of the most impressive passports I’ve ever seen. (The photo at the top is from a page in her actual passbook). She considers it among her most prized possession. She’s travelled since she was a baby and in her teens and early 20s lived many years abroad (both on land and on boats). She is now gainfully employed as a maritime attorney, so her globe-trotting has stalled a bit. But deep down inside she will always have the heart of a vagabond and wanderlust in her veins. Her Passport Personality: Marco Polo.

So, what does your passport say about you?

by Toni DeBella

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February, 2009

A friend was visiting on a sunny, frigidly cold winter’s day when most people would have preferred to stay indoors and keep warm. Not us. We hopped on a bus that dropped us in Bagnoregio, then hiked up to the footbridge to the top of Civita’.

CivitaCivita’ di Bagnoregio (“the dying town”) is located 145km north of Rome in the region of Lazio, overlooking the Tiber Valley. The village seems to float above the earth in a cloud, but has the unfortunate distinction of being one of the world’s most endangered places; the town is slowly crumbling and sliding down its cliffs.

This little borgo has always had a strange allure for me (as it has, I’m sure, for millions of others who have experienced visited). The atmosphere that day was a little eerie because there didn’t appear to be any other souls in town (except  two ambling cats in the main square). It’s a favorite stop of tourists in the spring and summer, but on this February afternoon, the streets were quiet and deserted; underscoring the heartbreaking reality of the city’s inevitability. I’ve visited Civita’ three times in my life. The first was as a tourist. The second was as a dinner guest at the home of a friend (which was pretty amazing considering there are only a dozen residents remaining in this little hamlet). My last visit was by far the most memorable.

A small sign hanging in a courtyard is the only indication that there’s a thriving business inside a grotta at the end of the enchanting patio. Bruschetteria L’Antico Frantoio is too tiny to be called a cafe’, and the menu is too limited to be a restaurant – so it’s simply called a “bruschetteria”. I imagine it’s like no other bruschetteria in Italy. The Rocchi family has been operating this iconic destination of travelers for decades with its 1500 year-old olive oil mill (frantoio) in the back. The mill, which still functions (although it’s retired) has been in the family since 1520. Today, the family’s Agriturismo “Le Corone” in a valley nearby produces all of its oil.

On this day, Felice Rocchi was our host and chef. A remarkably efficient use of space, there is only a fireplace to grill the bread, a counter to assemble and serve the bruschetta and wine, and a few tables covered in tablecloths. I think we were Felice’s only customers that day and since we were in no hurry to return into the freezing wind, the three of us passed a very pleasant afternoon talking and eating the most amazing olive oil-soaked bruschetta and drinking the freshest house red wine. We chatted about Felice’s family, got a private tour of the Etruscan well in the cantina, and together devised a kooky plan to help bewildered Jtourists how and what to order. He promised us a cut of the projected profits from our little scheme, but I think when I return, I’ll ask for my share to be paid in bruschetta.


by Toni DeBella

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One of my great fortunes in life is having two close friends who work as Flight Attendants for major international airlines.  These two women both collectively and single-handedly enable me to feed my addiction to Italy (or as I sometimes like to refer to it, “my crack”).  The companion fare or “buddy pass” is a way of traveling that’s not for the faint of heart.  It requires nerves of steel, the patience of Job, the imagination of Sherlock Holmes, and the ingenuity and resourcefulness of MacGyver.  It also helps to have an innate ability to build alliances and form coalitions with the other “buddies” in line for the few choice “non-revenue” seats.  It’s sort of like “Survivor”, but in an airport. Companion fares are a fraction of the cost of a regular ticket, but as the old adage goes, “You Get What You Pay For.”

Don’t misunderstand me, I am eternally grateful to my friends for sharing their privileges with me, however, if you’re planning to travel this way, you must go in with your eyes wide open and accept its cruel game of “standby roulette”.  I’ve sat many a time at the gate testing the theory that it’s possible to telepathically compel myself onto the airplane by chanting over-and-over-again, “please call my name, please call my name, please call my name” (like some twisted mantra to will the gate agent (who’s forehead I’ve just burned a hole through) to say those 7 magic words, “passenger DeBella, please come to the podium”.

Ahh, the sweet glory of nabbing a seat in business class from New York to Rome! Warm nuts, champagne, fluffy socks, a blanket made of natural fiber and, the pièce de résistance, a seat that reclines almost flat.  Once you’ve flown business class, it’s hard to return to coach.  In the back, (an airline industry term for “where the losers sit”) I feel like an immigrant crammed into steerage on the Titanic.  Should things go awry, I’m convinced any real lifesaving procedures will be afforded to the platinum American Express cardholders first.  However, I’m not thinking about that today – today I’m one of them.  The cabin crew addresses me as Ms. DeBella: “Ms. DeBella, what would you like as your entree?” “Ms. DeBella, would you like a warm towel?” “May I get you another pillow, Ms. DeBella?” They don’t call it business class for nothing.

volcano

But there’s a dark side to “standby, non-rev” (another airline term for “cheapskates who sponge-off their friends and family”).  I’ve been stranded in Milan for 3 days (my traveling companion was a high-strung, hot-tempered, not-so-easy-going Italian – very stressful!); Rome – 3 days (I finally resorted to tears and someone took pity on me); New York – 5 days (Icelandic volcano eruption – 7 million other passengers and me marooned, so I don’t really count that one).  I’ve slept overnight on a bench in a food court at Frankfurt airport, aligned with 8 other rebuffed “buddies” (we filled an entire B&B in Fumicino, Italy) and naively accepted an offer from Domenico (a complete stranger I sat next to on a flight from Hahn to Campino) to drive me to Orvieto on his way to Viterbo.  He could have been an ax-murderer, but as it turned out, he was a really lovely guy.

The bottom line is…I will take the opportunity to travel anyway I can get it.  I love airports – they’re  happy places for me.  When I’m in one, I’m either going somewhere far away or returning from a wonderful and unique adventure.  It’s certainly challenging to fly around the world without a structure or a guarantee. Honestly, I sort of enjoy the game – it feels like a test of my character and determination.  Over the years, I’ve managed to overcome a lot of obstacles, and maybe those hardships make arriving at my destinations all the more satisfying.  So, like the title of this blog implies, I will beg, borrow and steal to get where I am going.  Buon Viaggio! by Toni DeBella

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Each Pentecoste Sunday for centuries, a large crowd gathers in front of the Duomo di Orvieto to celebrate the Festa della Palombella. Despite the condemnation of animal rights advocates, a dove is placed in a plexiglass “space capsule” and launched on a zip-line across the Piazza. It arrives at the specially constructed cenacle with great fanfare of fireworks, red flames and clouds of smoke. The dove symbolizes the descent of lo Spirito Santo (the Holy Spirit) on the Apostles. It’s said that if the dove survives the traumatic journey, it portends a year of good crops and fertility for the city’s most recently wed couple, who vow to care for the dove until its natural death.

Apparently, this year “la colomba” had other plans! Somehow the container had opened prematurely and amidst a cheering crowd, the dove made her daring and defiant escape – literally and figuratively – she “flew the coop”. The question remains: If a “surviving” dove signifies a year of favorable crop yields and a “deceased” dove predicts a weak harvest, then it’s good news for farmers since a liberated dove is certainly “alive and well”.

But what is the fate of the newlyweds who were deprived of their blessing of peace and fertility? I have no doubt that every bar in town is humming with speculation about this twist of fate! The discourse and theorizing could go on for the next 365 days!
by Toni DeBella

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In June of 2004, I arrived in Orvieto, Italy for the very first time. Completely by chance my vacation coincided with the Feast of the Corpus Domini (Corpus Christi) and its historical pageant Il Corteo Storico. It was a very happy accident, as it turned out. Those days before the main event were buzzing with excitement and anticipation. What struck me most was how the town’s entire citizenry enthusiastically participated in the preparation of what I would soon learn was the most important celebration for Orvietani specifically, and for the Roman Catholic world, most particularly.

As I walked through the winding streets the evening before the festivities, the whole city seemed to be out in full force. The Comune erected special lights in the Piazza della Repubblica for the school children who were sitting on the cobblestone ground, constructing an infiorata (mosaic made exclusively of flowers). Everyone was working happily with their families way past midnight.  Nearby, in the Piazza del Popolo, young men practiced sbandieratori (flag-throwing) alongside a falconer training his raptor for the next day’s performance. Utility workers on ladders were installing speakers hidden behind sprays of flowers tied with ribbon on the main route of the procession. The solemn mass would be broadcast throughout town (perhaps so that the elderly and house-bound were not left out). The energy was electric and I could feel thta something very special was about to happen.

La Storia di Duomo

If you’ve ever been to Orvieto, you know it’s home to one of the most spectacular Duomos (Cathedrals) in all of Italy. At first glance, I remember thinking, “How did such a small town manage to build such a magnificent Duomo?” Its beauty and grandeur rivals that of the Duomos of Siena and Florence. Well, in order to build this Duomo it took a miracle: Il Miracolo di Bolsena (The Miracle of Bolsena) to be exact.

A Eucharistic Miracle: Corporal of Bolsena

In 1263, Peter of Prague, a priest on a pilgrimage to Rome, stopped at the tomb of St. Christina in Bolsena to celebrate mass. It’s said that he doubted Christ was actually present in the consecrated host, but became convinced when, during the consecration, blood began seeping from the host and trickled onto the altar and corporal. The priest immediately brought the bloodied linen to nearby Orvieto where Pope Urban IV was residing. In August of 1264, by way of a papal bull, Pope Urban IV instituted the feast of Corpus Domini and under his orders the Cathedral of Orvieto was constructed to commemorate and provide a home for the miraculous relic. It’s where it remains enshrined and exhibited today. In 1964, at the 700th anniversary of the institution of the feast, Pope Paul VI arrived in Orvieto by helicopter (the first Pope in history to use this means of transportation) and celebrated mass at the alter where the holy corporal is kept.

Homage to the Past

Naomi1There are faces of people that I know very well walking in this parade, but when dressed in their historical and graceful garb, they become almost unrecognizable. So authentic is their portrayal that I’m completely entranced and transported to Orvieto‘s medieval and Renaissance past. Over 400 costumes represent all the municipal courts of the time. You see coats of arms from noble families, brightly colored flags and costumes symbolic of their social or political position and metal shields, armor, weapons, helmets all signifying Orvieto‘s military strength of the era.

Man in the Mirror

A friend tells me how he came to be part of the tradition of the Corteo Storico. It began for him when he was just a young boy in school. He was selected to be part of the procession – a great honor. Each year that he participated, he was rewarded with a more prominent position the following year. Now a grown man, he fulfills a respected role as a knight and is also one of the pageant’s main organizers.

I think that one of the qualities that draws me to Italy time and again is its reverence and adoration for the traditions and folklore that are passed down to each generation. Corteo Storico is a supreme example of this commitment to its for-bearers. It’s widely believed that an important part of the present is to honor the past and those who came before. When one is dressed in his evocative and dazzling, handcrafted costume does he see in the mirror the life of his ancestor reflected back to him? I’d like to think so.

La Futura


You can only imagine that some of these young children today, just beginning their experience as members of the Corteo, will one day pass this tradition onto their children and grandchildren.  They will build upon the collective memory of their medieval and maybe even their Etruscan roots thousands of years ago. Another friend of mine, Giorgio, returns to his hometown each summer to join with his childhood friends in the Corteo. It must be as important a ritual for Giorgio and his family as it is for Orvieto as a community. He is helping to keep the historical chain unbroken.

PROGRAMMA DI CORPUS DOMINI 2011 (PROGRAM OF CORPUS CHRISTI)

Friday, June 24 at 9:00 p.m.

Concert of medieval music and dance performance by Damcamus and

the choir Vox et Jubilum in the Church of San Andrea

Corteo delle Dame (Procession of the Dame)

Saturday, June 25

5:30 p.m Vespers in the Cathedral

6:00 p.m. Flag-waving by Amelia in Piazza Duomo

Corteo Storico

Sunday, June 26

10:00 a.m. Parade exits from the Palazzo del Capitano del Popolo

10:30 a.m. Procession exits from the Cathedral and continues through town

Saturday and Sunday Medieval Market in the Piazza della Repubblica.

Photographs by Patrick Richmond Nicholas and Giorgio Campanari
by Toni DeBella

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She couldn’t have been more than 18 or 19 years old. She pulled up on her Vespa alongside my cab on a warm night in Rome. She turned to her right, held her cigarette to her mouth, leaned over and without uttering a single word, the cabdriver reached out and lit her cigarette. She threw out an unenthusiastic “grazie” and drove away. I was stunned and astonished. How did this ragazza, at such a young age, manage to display such bravata?  The confidence and sheer audacity of it! She expected this man to perform on cue and he didn’t disappoint. It was a one-act play and each person had their role and they played it to perfection. More to the point, they played it with style. Romans can make even smoking look sexy!

The dictionary defines “Style” as: 1. a quality of imagination and individuality expressed in one’s actions and tastes; 2. a comfortable and elegant mode of existence; 3. a particular, distinctive, or characteristic mode of action or manner of acting.

Sophia Loren

When we hear the phrase “Italian styling” what does this conger up in our minds? Elegant lines of a Maserati, a certain cut of a man’s suit, sleek and contemporary furnishings, police and carabinieri uniforms designed by Armani, ditch-diggers who look like Gucci models, and Sophia Lorens pushing baby carriages in stiletto heals on ancient cobblestones. It seems incomprehensible that these beautiful women could be as insecure and self-conscious as the rest of us, but it doesn’t matter – Italian women project a belief they are fabulous and deserving of adoration. I buy it, and more importantly, men buy it.  As far as I am concerned, that kind of confidence is the epitome of style.

A Beautiful Obsession

For Italians the term “la bella figura” is not just a saying, it’s a way of life.  My friend claims that an Italian would spend his very last dime for a pair of Dolce & Gabbana jeans before he’d pay his rent. I think that’s a bit of an exaggeration, however it certainly appears that being attractive is obligatory in Italy.  Bebbe Severgnini, the famous columnist and chronicler of the Italian psyche explains it this way, “ ‘Never judge a book by its cover’ sounds like an oversimplification in Italian. We judge books by their covers, politicians by their smiles, professionals by their offices, secretaries by their posture, table lamps by their design, cars by their styling, and people by their title.”

Italian Actor Raoul Bova

My mother, Nancy, came for a visit and we took the train to Rome for the afternoon.  We were strolling near the Piazza Barberini and walking towards us was a classically handsome Roman: tall, dark, curly-haired, chiseled features – you know, your basic Raoul Bova type. After he’d passed, my cute, lively, 78 year old mother turned to me and said, “that was a pretty one”!  Yes, they are “pretty” but being good-looking doesn’t, in itself, translate into “elegant”, “cool” or “stylish”.  A piece of art, for instance, doesn’t move you only by its beauty.  It also must tell a story, evoke an emotion and display depth and dimension.  Italian style: behind those beautiful covers is a lot of life and feeling.  When admiring an Italian’s aesthetic superiority, it’s hard to look away.  And it’s okay to look, in fact, it’s the national pastime of Italy.
by Toni DeBella

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Machu Picchu, Stonehenge, the Pyramids of Giza, Mecca: All mystical and sacred places where one can find peace in the solitude and beauty of their surroundings. Add to the list Anello della Rupe – a spectacular walking trail that runs along the volcanic tufa rock on which the medieval town of Orvieto is perched. It’s a place where one can be alone, but not feel alone.  Where you can have long conversations with yourself and even answer yourself out loud, since you pass very few people along the way. Only a few meters below the city center, yet a world away.

My daily walking regime is a way to get a workout, some fresh morning air in my lungs, and perspective. The Percorso is an hour-and-a-half trek (depending on if you run, walk, or crawl) that circumnavigates the town, situated halfway down the steep cliffs.

Heavenly switchbacks

There are 5 entrances (Ingressi) to get onto the Rupe, but I personally like starting at Ingresso 5: Foro Boario. Taking the elevator down to the parking lot at Campo della Fiera, begin in a counter-clockwise direction (near the  Acquedotto medievale used by Orvietani as early as the 13th Century). After walking a few meters (past a small grouping of houses) you’ll officially enter the park.

Umbrian countryside

The natural trail is lined with rustic wooden fences and its switchbacks keep your legs and bottom in good shape. Climbing and then leveling off, you’ll come to my favorite side of the rock. Note the many grottos cut into the cliff walls and look out over the panorama for a spectacular view of the Hotel Badia – a former Abbey originally built in the 6th century with its existing structure constructed in the 12th century. A classic post card view, I can stand there forever staring at the awesome beauty of the Umbrian countryside.

Continuing up the path, you’ll come to a fork in the road where you can veer down to the Santurario di Cannicella and Necropoli estrusca (Etruscan necropolis). The remains of this sanctuary and necropolis date back to the 4th  and 6th centuries B.C., respectively. Double-back up to the main trail and you’ll continue on to another fork: Ingresso 4; Palazzo Crispo Marsciano. This is the most modern gate into the park. Its Renaissance building was designed by Antonio da Sangalllo and completed by Simone Mosca. But don’t exit just yet. Keep walking (this is the longest stretch of trail) until you come to the Grotta dei tronchi fossili (Grotto of the fossil trunks) – an artificial cavity with paleo-botanical remains that preceded the formation of the cliff some 350,000 years ago!

The Funicolare from the station

Another steep climb on cobblestones takes you up to the medieval entrance to the city, Porta Soliana: Ingresso 3. From here you have a view of the ruins of the Madonna della Rosa. The small, 17th-century church dedicated to the Virgin Mary. The tunnel for Orvieto’s funicolare (funicular) is right under your feet. This unique rail system was inaugurated in 1888 and connects Piazza Cahen with the train station in Orvieto Scalo.

Winter leaves pressed into the ground

You’re getting a bit of a break now, as the trail goes downhill and is shaded by trees. Further down the path it gets streeper, with the last section stairs climbing up to the road. You have to cross the road to continue on the trail. Note: Italians drive fast so pay attention at the crosswalk!

Once you’re safely on the other side, continue up the hill until you get to another fork located on your left. This is Ingresso 2: Porta Vivaria – a vertical ramp leading up to ruins of what was the medieval north gate known as dello Scenditoio. The trail splits off to the right, taking walkers to the official entrance of the famous archeological treasure of Umbria: The 5th-century, B.C. Necropoli Etrusca (Estrucan tombs of Volsinii). If the tombs are open, take the tour and then climb back up the steps to continue on the trail again. There’s more beauty still ahead.

Chapel of Crocefisso del Tufo

Chiesa del Crocefisso del Tufo

Chiesa del Crocefisso del Tufo. Around the 16th century, this chapel and crucifix were carved into the volcanic rock. Sweet offerings of wildflowers are often left on its windowsills. As you get closer to Porta Maggiore, you’ll find a building on the left, the Madonna del Velo. It’s one of the few examples of 18th century ecclesiastic architecture in Orvieto, consecrated on June 5, 1751 and newly renovated.

Cross the Via della Cava at the Porta Maggiore – this gate is the oldest monumental access to the city, dating back to the Etruscan era. It points travelers to either the road to Lago di Bolsena or the A-1 (Autostradatowards Rome.

At the traffic circle, you can either cross the road and walk back through the parking lot to the elevator or escalators (a fascinating engineering feat, carved through the rock up and carrying visitors to Piazza Ranieri.)

Promenade

You have two choices here: Continue on up the pretty pedonale (promenade) with its benches and streetlamps. Walk under Porta Romana and you will be on the shoulder of the road again – be careful of cars.

Walk up Via Alberici to Via Garabaldi.   Be sure and have a euro in your pocket so you can stop at the Blue Bar for a cappuccino and friendly conversation.

Even in the “dead of winter” there is so much life on the Anello della Rupe– literally and figuratively.  Sometimes I walk with friends, but mostly I look forward to going it alone.  “La Rupe” became my best friend and confidant.  She helped me gain my confidence, showed me the strength I possessed inside and listened to me without interruption in a very reflective time of my life.  It is a transforming experience – an hour that is entirely mine to day dream.  I guess you could say it is my daily planning meeting with God – or something God-like.  La Rupe will become your friend too.  Buona passeggiata, Tutti!

*PAAO (Archaeological and Environmental Park of the Orvietano)

**All along the trail are signs posted in Italian and English with facts and information about the park and its features.

by Toni DeBella

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