Orvieto or Bust:

How often do I get to say this sentence?  

“Last night I went to a party in a castle.”

The event was hosted by the amazing talent and Caravaggio lookalike, ceramic artist Marino Moretti. Inside his studio, located in a partially restored 9^th-century castle in the town of Viceno, people gathered for a pre-holiday brindisi (toast). I tagged along with my friend, textile conservator and dealer, Igor Honkanen and was pleasantly surprised to see other friends who were in attendance. I was the new girl in town – well not really.

Two guys were hunched over in intense conversation in front of the fire, and Igor split off to talk to some other people, so I wandered around the hall in awe of all the colorful pottery surrounding us. Marino’s lovely wife Marilyn was such a gracious hostess and the couple’s handsome teenage son acted as the bartender.  I was trying to play it cool, but the phrase kept repeating in my head, “I am in a castle, I am in a castle, I am in a castle”. 

As for Marino’s works, they are quite particular. His pieces fall mostly in the category of Majolica ceramics, but what I really want to say is that they’re in a class by themselves.

Majolica is a traditional way of tin-glazing pottery that dates back to the 13^th century.  The technique uses vibrant colors and often depicts historical figues and tells legends through figures and scenes. Moretti’s creations come in earthenware, terracotta and porcelain.  Since the 1970s, Marino has gathered quite a large and loyal following.

Tonight the main room was filled with his whimsical pottery displayed in groupings of vases, bowls and platters. In the corner were spindly garden sculptures. Handpainted tiles of yellow, blue, green and red hung like Renaissance calling cards. Happy medieval figures danced around the outside of bowls and ancient fish swam across platters. Even a crazy man was biting his own tail; it’s serious art that doesn’t take itself too seriously.  

I found my way into the potter’s workshop where small cups and vases were perched on simple wooden shelving. I took a deep breath before attempting to pick up a tiny espresso cup with a medieval man’s head on it. I lifted it gingerly, careful not to bump it against the other cups or drop it. It seemed so precious and delicate. I admired it and felt how light it was in my hand. If I owned this cup, I don’t think I could bear to drink coffee out of it!  It might be just a little cup and saucer to some people, but to me it’s a fine work of art.

Marino Moretti Studio d’Arte, via del Castello Vecchio, 12-05014 Viceno (TR), 0763 361663 – 320 2651654

For more information go to www.marinomoretti.it or email: info@marinomoretti.it

by Toni DeBella

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